![]() Aerospace specialists were also consulted on the design of the spacesuits and space helmets. Kubrick's science advisor, Frederick Ordway, notes that in designing the spacecraft "We insisted on knowing the purpose and functioning of each assembly and component, down to the logical labeling of individual buttons and the presentation on screens of plausible operating, diagnostic and other data." Onboard equipment and panels on various spacecraft have specific purposes such as alarm, communications, condition display, docking, diagnostic, and navigation, the designs of which relied heavily on NASA's input. Many other science-fiction films give spacecraft an aerodynamic shape, which is superfluous in outer space (except for craft such as the Pan Am shuttle that are designed to function both in atmosphere and in space). The general approach to how space travel is engineered is highly accurate in particular, the design of the ships was based on actual engineering considerations rather than attempts to look aesthetically "futuristic". Kubrick consulted aerospace specialists to make sure on the design's accuracy. Other aspects that contribute to the film's realism are the depiction of the time delay in conversations between the astronauts and Earth due to the extreme distance between the two (which the BBC announcer explains have been edited out of the broadcast), the attention to small details such as the sound of breathing inside the spacesuits, the conflicting spatial orientation of astronauts inside a zero-gravity spaceship, and the enormous size of Jupiter in relation to the spaceship. (Scenes of the astronauts in the Discovery pod bay, along with earlier scenes involving shuttle flight attendants, depict walking in zero-gravity with the help of velcro-equipped shoes labeled "Grip Shoes"). Tracking shots inside the rotating wheel providing artificial gravity contrast with the weightlessness outside the wheel during the repair and Hal disconnection scenes. 2001 's portrayal of weightlessness in spaceships and outer space is also more realistic. Ģ001 accurately presents outer space as not allowing the propagation of sound, in sharp contrast to other films with space scenes in which explosions or sounds of passing spacecraft are heard. Marvin Minsky, of MIT, was the main artificial intelligence adviser for the film. ![]() Good, whom Kubrick consulted on supercomputers because of Good's authorship of treatises such as "Speculations Concerning the First Ultraintelligent Machine" and "Logic of Man and Machine". Ordway III, who worked on the film for two years, and I. Advisors included Marshall Spaceflight Center engineer Frederick I. Clarke, who himself had a background in aerospace. Several technical advisers were hired for 2001, some of whom were recommended by co-screenwriter Arthur C. The film is also praised for its accurate portrayal of spaceflight and vacuum.Ģ001 is, according to four NASA engineers who based their nuclear-propulsion spacecraft design in part on the film's Discovery One, "perhaps the most thoroughly and accurately researched film in screen history with respect to aerospace engineering". Before the film's production began, director Stanley Kubrick sought technical advice from over fifty organizations,Īnd a number of them submitted their ideas to Kubrick of what kind of products might be seen in a movie set in the year 2001. The 1968 science fiction film 2001: A Space Odyssey featured numerous fictional future technologies, which have proven prescient in light of subsequent developments around the world. Museum replica model of the Discovery One, the main spaceship featured in 2001.
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